Rufous City Review



The writing that most easily finds a home with RCR is somehow transformative or concerted in bringing together that which might not easily coexist; industry and raw earth being the clashing forces which originally gave birth to RCR. What happens to the landscape when machines and mammals rush headlong at each other? How does a building change when it is overrun by ivy? Where does human experience fit in this type of struggle, and how might it translate to the page?

We like risks. We like unexpected endings. We like images that gyrate and taunt and expose. We like imperfections. We like things we don’t yet know we like, so send us your best work.


Market Genres, Styles & Subjects
Genres
General
Styles
Open to all/most styles
Subjects
Open to all/most subjects

Market Types, Lengths & Pay Scale
Flash
0 to 1000
Non-Paying

Short Story
1000 to 7500
Non-Paying

Novelette
7500 to 17500
Non-Paying

Novella
17500 to 40000
Non-Paying


Market Submission Types
Electronic Submissions?: Yes
Postal Submissions?: No
Reprints?: Yes
Multiple Submissions?: Yes
Simultaneous Submissions?: Yes

Market Response Data
(View recent responses from this market)
This statistical information is an aggregation of submission data provided by our members. The more data we have the more accurate our
numbers will be so please be sure to log all of your submissions here and not just your rejections or acceptances.


Accuracy:
There are 4 completed reports in the past 12 months.
Averages and Boundaries:
1 min | 23.50 mean avg | 31 median | 31 max days
Responded:
100.00%
Accepted:
-
Rejected:
100.00% (75.00% of rejections are personal)
Rewrites:
-
Dead Letters:
-
Lost/Returned:
-
Never Responded:
-
Withdrawn:
-
Pending:
4 pending responses (3 min | 13 mean avg | 7 median | 36 max days waiting)
Note: pending statistics may skew high if some users neglect their data.
We recommend querying after the time the market suggests to query.


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The Submission Grinder is brought to you by Diabolical Plots, science, and Joy Kennedy O'Neill.