Artful Dodge has always been attracted to writing with a sense of place and looks for work that combines the aesthetic and the human in fresh, unexpected ways. However, don't ask us what that statement means--all we can say is that the work we print shows awareness of the cultural landscape out of which it comes, the words and deeds of people, the language of the bus stop and bar. It involves an illumination of the particular and the concrete, and the transforming of this here-at-hand to the level of the permanent, the mythic. This can be accomplished in ways as diverse as William Carlos Williams' wheelbarrows, Elizabeth Bishop's maps, Langston Hughes' rivers, or William S. Burroughs' disrobed lunches. But some sort of interplay between focus and transcendence must be at work.
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